By Friedrich Nietzsche, Anthony M. Ludovici
THE Editor begs to name recognition to a couple of the problems he needed to come upon in getting ready this version of the entire works of Friedrich Nietzsche. now not being English himself, he needed to depend upon assistance from collaborators, who have been just a little gradual in coming ahead. They have been additionally few in quantity; for, as well as an actual wisdom of the German language, there has been additionally required sympathy and a undeniable enthusiasm for the startling principles of the unique, in addition to a substantial feeling for poetry, and that optimum type of it, spiritual poetry.
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THE Editor begs to name realization to a few of the problems he needed to stumble upon in getting ready this version of the whole works of Friedrich Nietzsche. now not being English himself, he needed to depend on assistance from collaborators, who have been just a little gradual in coming ahead. They have been additionally few in quantity; for, as well as an actual wisdom of the German language, there has been additionally required sympathy and a definite enthusiasm for the startling principles of the unique, in addition to a substantial feeling for poetry, and that optimum type of it, spiritual poetry.
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Additional info for Thoughts out of Season, part 1
But while ideology presents how everything is visible in contemporary society, people are nonetheless constantly left with the impression that someone else is running the show behind their backs or that there is a hidden enemy who has to be exposed and eliminated. For example, the military’s attempts to find drugs that would alleviate anxiety on the battlefront, instead of preventing the soldiers’ anxieties, are actually helping to generate new ones. 41 The ultimate trauma for the soldiers thus becomes to fight the hidden enemy among those who have sent them to war in the first place.
For this new body there will be no burden 26 ANXIETY AT TIMES OF WAR to deal either with birth or with death: reproduction will be substituted by redesigning and sexual intercourse replaced with the interface between the subject and the machine. And Marcelli Antunez Roca created a robot that can be moved with the help of sensors navigated by visitors to the gallery: after his death this robot will become his prosthesis through which the artist will continue to be alive. These artists played with the idea that new computer technology can allow us to create an immortal body.
On the other hand, we have depiction of everyday life in the work of Tracey Emin’s exposure of the names of all her lovers, Sara Lucas’s mattress, etc. e. of what was hidden) in some architecture. If one looks at the design of many new restaurants, ANXIETY AT TIMES OF WAR 25 one can see that the work process is supposed to be totally exposed to the public. Everywhere, one now finds restaurants which look like factories—when one walks in, one sees low-paid workers preparing the food, washing the dishes, etc.