Enduring Resistance/La Resistance Persevere. Cultural Theory by Sjef Houppermans, Rico Sneller, Peter Van Zilfhout

By Sjef Houppermans, Rico Sneller, Peter Van Zilfhout

Addressing either the arts and the social sciences, this quantity goals to discover the iconic value of the paintings of Jacques Derrida (1930-2004) within the box of cultural thought. It assembles various articles by way of the world over well known students from varied educational disciplines and traditions. opposite to fresh commemorative guides on Derrida's oeuvre, this quantity proposes to severely overview and reconsider key ideas in Derrida's paintings in the current situation in cultural thought. targeted round 4 major issues (manoeuvres, societies, pictures and fictions), the sections suggest an inventive and modern studying of 'Derrida' and its openings to new paintings in cultural concept. Ce livre qui se destine à l. a. fois aux humanités et aux études sociales tente d'explorer l. a. signification sturdy de l'œuvre de Jacques Derrida (1930-2004) dans le champ de l. a. théorie culturelle. Il rassemble un ensemble d'articles variés écrits par des chercheurs de renommée internationale provenant de différentes disciplines et traditions académiques. S'opposant par là à l. a. majorité du flot de courses récentes sur l'œuvre de Derrida ce quantity se suggest d'évaluer et de repenser d'un aspect de vue critique les innovations clé de Derrida tenant compte de l'état actuel de l. a. recherche en études culturelles. Centrées autour de quatre domaines majeurs (manœuvres - sociétés - pictures - fictions), les sections offrent une lecture créatrice et actuelle de 'Derrida' et des ouvertures que sa pensée permet vers une nouvelle idée de l. a. théorie culturelle.

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Extra resources for Enduring Resistance/La Resistance Persevere. Cultural Theory After Derrida/La Theorie de La Culture (D')Apres Derrida. (Faux Titre)

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Of course, Derrida’s work of drawing the question of how to interpret ‘responsibility’ and how to establish who ‘we’ are, in what relations ‘we’ exist, and what our responsibilities are into the crisis of undecidability was equally regularly regarded as an advocation of theoretical obscurantism and irresponsibility. This charge was – and remains – the most regular type of ‘resistance’ to deconstruction. 6 Such resistance to deconstruction is familiar. It is often couched as a resistance to theory made in the name of a resistance to ‘disengagement’; a resistance to ‘theory’ for the sake of ‘keeping it real’.

Gleitende Vielberuflichkeit für alle (1997), The Hyphen Between Judaism And Christianity, avec Jean-François Lyotard (1999); a coédité (avec Mireille Calle-Gruber): Simone Weil. La passion de la raison (2003); a participé aux Colloques Derrida de 1997 et 2002 (Cerisy la Salle), 2003 (Coimbra), 2009 (Paris) ainsi qu’au Cahier de l’Herne (2004). Il prépare actuellement Derrida Partition (en 2 volumes). MAIK HEROLD studied Political Science, Law and History in Dresden and Boston. In 2008-2009 he was a graduate assistant and assistant lecturer at the Institute of Political Science at Technische Universität Dresden (Chair of Political Theory and the History of Political Ideas).

Elle est de l’intérieur ‘touchée’ par une procédure d’auto-déconstruction. Ce ‘toucher’, affirme Nancy, aura à être transféré dans la tradition à venir du christianisme et de sa critique. Se référant à la notion derridienne de ‘déconstruction’ les analyses de Nancy se concentrent sur ce ‘toucher’. En examinant ces analyses l’auteur se voit obligé de conclure que le ‘toucher’ à travers lequel Nancy entame le legs de la déconstruction derridienne risque de perdre de vue l’enjeu de celle-ci. Ce que Nancy appelle, tout en se référant à Derrida, ‘déconstruction’, se rapproche plutôt de la Destruktion heideggérienne.

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