By Jane L. Chapman, Adam Sherif, Anna Hoyles, Andrew Kerr
This transnational, interdisciplinary examine argues for using comics as a major resource. In convalescing presently unknown or ignored strips the authors exhibit that those examples, produced through the international Wars, act as an enormous cultural list, offering, among different info, a barometer for modern well known pondering.
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Additional info for Comics and the World Wars: A Cultural Record (Palgrave Studies in the History of the Media)
Positioned alongside and in some regard a composite part of différance, with its dual emphasis on difference and deferral as the means by which meaning and understanding are both generated and received, the trace is effectively expressed in the idea that ‘each element appearing on the scene of presence, is related to something other than itself’ (Derrida: 1982, 13). No intelligible presence or apparent singularity is, on analysis, genuinely autonomous. The concept of nationalism, for example, can only be truly understood when taken in context of a wider spectrum of political positions from which nationalism differs.
On 2 October 1914, three months after the outbreak of international conflict, he made his greatest contribution to the domestic war effort and British popular culture in a Daily Mirror comic strip featuring Kaiser Wilhelm and his son the Crown Prince entitled ‘Sad Experience of Big and Little Willie No. 1’. Humour and Haselden as a cultural record Humour does not exist in a vacuum; it is dependent upon the society in which it exists, adapting and evolving with it (Douglas: 1968; Zijderveld: 1968).
Whereas the case studies will be conducted within the confines of particular historiographical contexts, this control, focused on the first adventures of the All-American Publications (and later DC Comics) character, Wonder Woman, will simply seek to draw out and categorise the record of historical content residing in the comics. 1 For these creative works of sequential narrative to be addressed ultimately in evidential terms, as primary sources, they must be shown to be bearers of verifiable historical content.