Comics and the World Wars: A Cultural Record (Palgrave by Jane L. Chapman, Adam Sherif, Anna Hoyles, Andrew Kerr

By Jane L. Chapman, Adam Sherif, Anna Hoyles, Andrew Kerr

This transnational, interdisciplinary examine argues for using comics as a major resource. In convalescing presently unknown or ignored strips the authors exhibit that those examples, produced through the international Wars, act as an enormous cultural list, offering, among different info, a barometer for modern well known pondering.

Show description

Read or Download Comics and the World Wars: A Cultural Record (Palgrave Studies in the History of the Media) PDF

Similar world war i books

German Fighter Units 1914-May 1917 (Osprey Airwar 13)

This e-book lines the strive against background of German fighter devices. significant airplane forms are all coated, and their missions special. airplane markings and aircrew uniforms are proven in complete color illustrations.

Paris 1919: Six Months That Changed the World

Nationwide BestsellerNew York instances Editors’ selection Winner of the PEN Hessell Tiltman Prize Winner of the Duff Cooper PrizeSilver Medalist for the Arthur Ross booklet Award of the Council on overseas RelationsFinalist for the Robert F. Kennedy ebook AwardFor six months in 1919, after the top of “the warfare to finish all wars,” the large Three—President Woodrow Wilson, British major minister David Lloyd George, and French premiere Georges Clemenceau—met in Paris to form an enduring peace.

The Baltimore Sabotage Cell: German Agents, American Traitors, and the U-boat Deutschland During World War I

Via the summer time of 1915 Germany was once confronted with significant difficulties in combating international warfare I: tips to holiday the British blockade and the way to forestall or heavily disrupt the British offer line around the Atlantic. Th e strategy to the previous was once to discover a fashion over, via, or below it. plane in these days have been too primitive, too brief diversity, and too underpowered to complete this, and Germany lacked the naval energy to strength a passage throughout the blockade.

A Kingdom United: Popular Responses to the Outbreak of the First World War in Britain and Ireland

During this, the 1st totally documented learn of British and Irish well known reactions to the outbreak of the 1st global battle, Catriona Pennell explores united kingdom public opinion of the time, effectively not easy post-war structures of 'war enthusiasm' within the British case, and disengagement within the Irish. Drawing from an enormous array of up to date diaries, letters, journals, and newspaper debts from around the united kingdom, A nation United explores what humans felt, and the way they acted, in accordance with an unanticipated and unheard of drawback.

Additional info for Comics and the World Wars: A Cultural Record (Palgrave Studies in the History of the Media)

Example text

Positioned alongside and in some regard a composite part of différance, with its dual emphasis on difference and deferral as the means by which meaning and understanding are both generated and received, the trace is effectively expressed in the idea that ‘each element appearing on the scene of presence, is related to something other than itself’ (Derrida: 1982, 13). No intelligible presence or apparent singularity is, on analysis, genuinely autonomous. The concept of nationalism, for example, can only be truly understood when taken in context of a wider spectrum of political positions from which nationalism differs.

On 2 October 1914, three months after the outbreak of international conflict, he made his greatest contribution to the domestic war effort and British popular culture in a Daily Mirror comic strip featuring Kaiser Wilhelm and his son the Crown Prince entitled ‘Sad Experience of Big and Little Willie No. 1’. Humour and Haselden as a cultural record Humour does not exist in a vacuum; it is dependent upon the society in which it exists, adapting and evolving with it (Douglas: 1968; Zijderveld: 1968).

Whereas the case studies will be conducted within the confines of particular historiographical contexts, this control, focused on the first adventures of the All-American Publications (and later DC Comics) character, Wonder Woman, will simply seek to draw out and categorise the record of historical content residing in the comics. 1 For these creative works of sequential narrative to be addressed ultimately in evidential terms, as primary sources, they must be shown to be bearers of verifiable historical content.

Download PDF sample

Rated 4.87 of 5 – based on 37 votes